Alison Saar
United States of America artist ŋun nyɛ paɣa
Alison Saar (bɛ daa dɔɣi o la Silimiin goli February dabaa anu dali yuuni 1956) nyɛla Los Angeles nuchee ni baŋda. O nuchee ni baŋsim tuma nyɛla din jɛndi African diasporamini gbansabila ban nyɛ paɣaba.[1]
Alison Saar
| Paɣa bee doo | Paɣa  |
|---|---|
| O ya Tiŋgbaŋ | Haiti, America |
| Yumaŋli | Alison |
| Daŋ yuli | Saar |
| Doɣam dabsili | 5 Silimin gɔli February 1956 |
| Dɔɣim Tiŋa | Los Angeles |
| Ba | Richard Saar |
| Ma | Betye Saar |
| Tizo | Lezley Saar |
| Bala yɛlibu, sabbu bee buɣisibu | Haitian Creole, Silmiinsili |
| Tum' baŋsim | art of sculpture |
| Zaa shee | artist-in-residence |
| Shikuru shɛli o ni chaŋ | Scripps College, Otis College of Art and Design |
| Shikuru bila zaŋ ti | Samella Lewis |
| Tuma shee | Los Angeles |
| Balli | African Americans |
| Notable work | copacetic / Hear the Lone Whistle Moan |
| Laɣingu | contemporary art |
| Nuu tuunbaŋsim balibu | figurative art |
| Pin' shɛŋa o ni dee | Guggenheim Fellowship, Anonymous Was A Woman Award, New York Foundation for the Arts |
| Zani ti n-nyɛ | Phyllis Kind Gallery |
| Copyright status as a creator | works protected by copyrights |
| Artist files at | Smithsonian American Art and Portrait Gallery Library, Schomburg Center for Research in Black Culture |
Piligu biɛhigu mini shikuru baŋsim
mali niŋ
Saar nyɛla bɛ ni daa dɔɣi so Los Angeles, California ka o lammba nyɛ African-American nuchee ni baŋda Betye Saar mini Richard Saar.[2]
Pina
mali niŋ[3]Tɛmplet:Better source needed
- 1984: Artist Fellowship, National Endowment for the Arts; Artist in Residence, The Studio Museum in Harlem, New York City, New York
- 1985: Engelhard Award, Institute of Contemporary Art, Boston, MA; Artist in Residence, Roswell Museum of Art, Roswell, N.M; Artist, Fellowship, National Endowment for the Arts
- 1986: Artist in Residence, November, Washington Project for the Arts
- 1988: Artist Fellowship, National Endowment for the Arts
- 1989: Guggenheim Fellowship din daa yina John Simon Guggenheim Memorial Foundation[4]
- 1998: Joan Mitchell Foundation Award, New Orleans, LA[5]
- 1998: Augustus St. Gaudens Memorial Foundation, Cornish, NH[5]
- 1999: Distinguished Alumnus of the Year, Otis College of Art and Design, Los Angeles, CA
- 2000: Flintridge Foundation Awards for Visual Arts, Pasadena, CA[5]
- 2003: Distinguished Alumna Award, Scripps College, Claremont, CA; Artist in residence, Hopkins Center, Dartmouth College, Hanover, New Hampshire
- 2004: Received the COLA Grant, Los Angeles, CA
- 2005: Excellence in Design Award by the New York City Art Commission, New York City, New York
- 2012: Fellow of United States Artists.[6]
- 2013: Joan Mitchell Foundation, New York
- City of Los Angeles (C.O.L.A.) Artist Fellowship[4]
Collections
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- Museum of Modern Art, New York[7]
- Indianapolis Museum of Art, Indianapolis, IN[8]
- Museum of Fine Arts, Houston, TX[9]
- Brooklyn Museum, Brooklyn, NY[10]
Publications
mali niŋ- Shepherd, Elizabeth. Secrets, Dialogues, Revelations: The Art of Betye and Alison Saar. Los Angeles, CA: Wight Art Gallery, University of California, 1990.
- Wilson, Judith. "Down to the Crossroads: The Art of Alison Saar." In Callaloo 14 no 1 (Winter 1991): 107–123.
- Krane, Susan. Art at the Edge, Alison Saar: Fertile Ground, Atlanta, GA: High Museum of Art, 1993.
- Nooter Roberts, Mary, and Alison Saar. Body Politics:The Female Image in Luba Art and the Sculpture of Alison Saar. UCLA Fowler Museum of Cultural History, 2000.
- McGee, Julie L. "Field, Boll, and Monument: Toward an Iconography of Cotton in African American Art." In International Review of African American Art 19 no. 1 (2003): 37–48.
- Lewis, Samella S. African American Art and Artists, revised and expanded 3rd ed., Berkeley: University of California Press, 2003.
- Farrington, Lisa E. "Reinventing Herself: The Black Female Nude." In Woman's Art Journal 24 no. 2 (Autumn 2003–Winter 2004): 15–23.
- Dallow, Jessica. "Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood." Feminist Studies 30 no. 1 (2004): 75–113.
- Dallow, Jessica. Family Legacies: The Art of Betye, Lezley, and Alison Saar. Chapel Hill: Ackland Art Museum, the University of North Carolina at Chapel Hill in association with University of Washington Press, 2005.
- Jones, Leisha. "Women and Abjection: Margins of Difference, Bodies of Art." Visual Culture & Gender 2 (2007): 62–71.
- Linton, Meg. Alison Saar: STILL .... Los Angeles, CA: Otis College of Art and Design, Ben Maltz Gallery, 2012.
- Dallow, Jessica. "Departures and Returns: Figuring the Mother's Body in the Art of Betye and Alison Saar." Reconciling Art and Mothering, edited by Rachel Epp Buller. Ashgate Publishing Company, 2012.
Lihimi m-pahi
mali niŋ- York: Terra Incognita (2010), Lewis & Clark College, Portland, Oregon
Kundivihira
mali niŋ- ↑ (2004) "Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood". Feminist Studies 30 (1): 74–113.
- ↑ Clark, Erin. "Alison Saar." Artworks Winter (2008): 33-40. Print.
- ↑ Alison Saar Biography – Alison Saar on artnet.
- ↑ 4.0 4.1 Alison Saar | Biography.
- ↑ 5.0 5.1 5.2 Alison Saar | Selected works by exhibition.
- ↑ United States Artists.
- ↑ Alison Saar (en).
- ↑ Nappy Head Blues (en).
- ↑ Works | Alison Saar | People | The MFAH Collections.
- ↑ Brooklyn Museum.
External links
mali niŋ- L.A. Louver Gallery
- New York Foundation for the Arts: Interview with Alison Saar
- 2009 Half-Hour TV Interview on The Creative Community
- KCRW Art Talk with Edward Goldman, "The Painful Beauty of Alison Saar's Stories," 2012
- Artists - Alison Saar at Phyllis Kind Gallery (NYC) web site