Robert S. Duncanson
Robert Seldon Duncanson (c. 1821 ka daa kpi silimiin goli December biɛɣ'pishi ni yini dali yuuni 1872) daa nyɛla 19th-century American landscapist zaŋ n-ti Europeanima mini Afrikanima.[1][2] Duncanson nyɛla ŋun niŋ dawama pam Cincinnati, Ohio ka nyɛla ŋun sɔŋ ka bɛ daa piligi Ohio River Valley landscape tradition.[2]
Robert S. Duncanson | |
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Tuma |
Abbreviated list of artworks
mali niŋ- Portrait of a Mother and Daughter, 1841 (Fulton County Arts Council, Hammonds House, Atlanta, Georgia)
- Trial of Shakespeare, 1843 (Douglass Settlement House, Toledo, Ohio)
- Roses Fancy Still Life, 1843 (National Museum of American Art, Smithsonian Institution, Washington, D.C.)
- Mt. Healthy, Ohio, 1844 (National Museum of American Art, Smithsonian Institution, Washington, D.C.)
- Drunkard's Plight, 1845 (Detroit Institute of Arts, Detroit, Michigan)
- At the Foot of the Cross, 1846 (Detroit Institute of Arts, Detroit, Michigan)
- Cliff Mine, Lake Superior, 1848 (F. Ward Paine, Jr., Portola Valley, California)
- Mayan Ruins, Yucatan, 1848 (Dayton Art Institute, Dayton, Ohio)
- The Belmont Murals, c. 1850–1852 (Taft Museum, Cincinnati, Ohio)
- Blue Hole, Flood Waters, Little Miami River, 1851 (Cincinnati Art Museum, Cincinnati, Ohio)
- View of Cincinnati, Ohio From Covington, Kentucky, 1851 (Cincinnati Historical Society)
- The Garden of Eden (after Cole), 1852 (High Museum of Art, Atlanta, Georgia)
- Dream of Arcadia (after Cole), 1852 (Private Collection, New York City)
- Uncle Tom and Little Eva, 1853 (Detroit Institute of Arts, Detroit, Michigan)
- Italianate Landscape, 1855 (California African American Museum, Los Angeles, California)
- Robbing the Eagle's Nest, 1856 (National Museum of African American History and Culture)
- Untitled (Landscape), late 1850s (Princeton University Art Museum)
- Landscape with Rainbow, 1859 (National Museum of American Art, Smithsonian Institution, Washington, D.C.)
- Land of Lotus Eaters, 1861 (Collection of His Royal Majesty, the King of Sweden)
- Faith, 1862 (National Afro-American Museum and Cultural Center, Wilberforce, Ohio)
- Vale of Kashmir, 1863 (Cleveland Museum of Art, Cleveland, Ohio)
- Silver River, North Carolina, 1863 (The Columbia Museum of Art, Columbia, South Carolina)
- Seascape, 1864 (Art Gallery of Ontario, Toronto, Ontario, Canada)
- Lake Beauport, 1864 (Musée national des beaux-arts du Québec, Québec, Canada)
- Lake Saint-Charles, 1864 (Musée national des beaux-arts du Québec, Québec, Canada)
- A Dream of Italy, 1865 (Birmingham Museum of Art, Birmingham, Alabama)
- Cottage Opposite Pass at Ben Lomond, 1866 (Museum of Art, North Carolina Central University, Durham, North Carolina, purchase)
- Mountain Landscape with Cows and Sheep, 1866 (Newark Museum, Newark, New Jersey, purchase)
- Loch Long, Scotland, 1867 (National Museum of American Art, Smithsonian Institution, Washington, D.C.)
- The Caves, 1869 (Amon Carter Museum of American Art)
- Dog's Head Scotland, 1870 (Museum of Fine Arts, Boston, Boston, Massachusetts)
Gallery
mali niŋ-
Vulture and Its Prey (1844)
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Portrait of Freeman Cary (c. 1856)
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Untitled (Landscape)
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Landscape with Sheep
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On the St. Annes, East Canada (1863–65)
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Waterfall on Mont-Morency (1864)
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Mount Oxford (1864)
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A Dream of Italy (1865)
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Land of the Lotus Eaters Landscape (1861) Swedish Royal Collection
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Vesuvius and Pompeii (1870)
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Ellen's Isle, Loch Katrine (1871)
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Blue Hole, Flood Waters, Miami River (1851)
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The Caves (1869), Amon Carter Museum of American Art
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Mountain Landscape with Cows and Sheep, (1866), Newark Museum
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Mountain Pool, 1870, Smithsonian American Art Museum
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Loch Long, 1867, Smithsonian American Art Museum
Exhibitions
mali niŋ- 1842: Annual Exhibition of Paintings and Statuary, Western Art Union, Cincinnati, Ohio
- 1843: Annual Exhibition of Paintings and Statuary, Western Art Union, Cincinnati, Ohio
- 1864: Art Association of Montreal, Montreal, Canada
- 1865: Dublin Exhibition, Art Association of Montreal, Ireland
- 1871: Western Art Gallery, Detroit, Michigan
- 1943: Balmoral Castle, Scotland, Museum of Modern Art, New York City
- 1953: Denver Art Museum, Denver, Colorado
- 1955: Cincinnati Art Museum, Cincinnati, Ohio
- 1961: Indianapolis Museum of Art Indianapolis, Indiana
- 1967: Howard University Gallery of Art, Washington, D.C.
- 1970: La Jolla Museum of Contemporary Art, La Jolla, California
- 1971: Bowdoin College, Museum of Contemporary Art, Brunswick, Maine
- 1972: Cincinnati Art Museum, Cincinnati, Ohio
- 1972: Museum of Fine Arts, Boston, Boston, Massachusetts
- 1976: Los Angeles County Museum of Art, Los Angeles
- 1979: Detroit Institute of Arts, Detroit, Michigan
- 1983: National Museum of American Art, Washington, D.C.
- 1992: National Museum of American Art, Washington, D.C.
- 1996: Mildred Lane Kemper Art Museum, Washington University in St. Louis, Missouri
- 1999: To Conserve a Legacy - American Art from History, Black Colleges and Universities, Studio Museum in Harlem, New York City
- 2003: Then and Now: Selection of 19-20th Century Art by African American Artists, Detroit Institute of Arts, Detroit, Michigan
- 2009: Cincinnati Art Museum, Cincinnati, Ohio
Lihimi m-pahi
mali niŋNotes
mali niŋ- ↑ Duncanson, Robert Seldon. The J. Paul Getty Trust.
- ↑ 2.0 2.1 Ketner, Joseph D. The Emergence of the African-American Artist: Robert S. Duncanson, 1821–1872. Columbia: University of Missouri Press, 1993. ISBN 0-8262-0880-0
External links
mali niŋ- American Paradise: The World of the Hudson River School, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Duncanson (see index)
- Ohio Collection, Dayton Museum of Art
- artcyclopedia
- Long Island University