Murat Brierre
Murat Brierre or Murat Briere (bɛ daa dɔɣi o la yuuni 1938 ka o daa kpi Silimiin goli 1988) daa nyɛla nuchee ni baŋda.[1][2]
| Paɣa bee doo | Doo  |
|---|---|
| O ya Tiŋgbaŋ | Haiti |
| Yumaŋli | Murat |
| Doɣam dabsili | 1938 |
| Dɔɣim Tiŋa | Port-au-Prince |
| Kpibu dabisili | 1988 |
| Kpibu shee | Port-au-Prince |
| Tizo | Edgar Brierre |
| Tuma | sculptor, printmaker |
| Residence | Haiti |
| Balli | African Americans |
| Significant event | art exhibition |
| Copyright status as a creator | works protected by copyrights |
| Artist files at | Smithsonian American Art and Portrait Gallery Library |
Tuma mini piligu biɛhigu
mali niŋBrierre daa nyɛla "brick mason" ka daa lahi nyɛ ninvuɣ so ŋun maani kɔriti.[3] O nyɛla ninvuɣ so bɛ ni daa dɔɣi Mirebalais bee Port-au-Prince,[4] Haiti mini o tizo bihi ban nyɛ dabba ayi.[3]
Solo exhibitions
mali niŋ1967 – Haitian Art Gallery, New York[5]
1968 – Centre d'Art, Port-au-Prince, Haiti; Bradley Galleries, Milwaukee, Wisconsin; Georgetown Graphics Gallery, Washington D.C.; Menschoff Gallery, Chicago; John Michael Kohler Arts Center, Sheboygan, Wisconsin; Roko Gallery, New York[5]
1969 – Centre d'Art, Port-au-Prince, Haiti; Showcase Gallery, Washington D.C.; Botolph Group, Boston[5]
1970 – Centre d'Art, Port-au-Prince, Haiti[5]
1971 – Centre d'Art, Port-au-Prince, Haiti[5]
1972 – Centre d'Art, Port-au-Prince, Haiti; Roko Gallery, New York[5]
1973 – Centre d'Art, Port-au-Prince, Haiti[5]
1979 – Areta Contemporary Design, Boston[5]
Group exhibitions
mali niŋ1969 – Davenport Art Gallery, Iowa[6]
1974 – Davenport Art Gallery, Iowa[6]
1978 – Brooklyn Museum, New York (traveling)[6]
1980 – Davenport Art Gallery, Iowa[6]
1982 – Studio Museum in Harlem, New York[6]
1983 – Chicago Public Library Cultural Center[6]
1985 – Davenport Art Gallery, Iowa[6]
1987 – Musée du Panthéon National, Port-au-Prince, Haiti[6]
1988 – Galeries Nationales d'Exposition du Grand Palais, Paris[6]
1989 – Museum of Art, Ft. Lauderdale, Florida[6]
2006 – Phyllis Kind Gallery in conjunction with the Outsider Art Fair, New York[7]
Tumanima zaŋ n-ti nuchee ni baŋsim
mali niŋL'Araignée (The Spider), 1970, iron[8]
Bawon Samdi, 1970, iron[8]
Christ sur la Croix (Christ on the Cross), 1970, iron[8]
Four Sirens, 1966, iron[8]
Ogou, 1970, iron[8]
Le Sagittaire en Démon (Sagittarius and Demon), no date, iron[8]
Visage en Fer (Face in Iron), 1965, iron[8]
Kundivihira
mali niŋ- ↑ A Collection of Haitian Iron Works.
- ↑ DeLoughrey, Elizabeth M., 1967- (9 May 2019). Allegories of the Anthropocene. Durham. ISBN 978-1-4780-0558-2. OCLC 1081380012.CS1 maint: multiple names: authors list (link)
- ↑ 3.0 3.1 St. James guide to Black artists. Riggs, Thomas, 1963-, Dodson, Howard,, Schomburg Center for Research in Black Culture. Detroit. 1997. ISBN 1-55862-220-9. OCLC 36470125.CS1 maint: others (link)
- ↑ Schutt-Ainé, Patricia; Staff of Librairie Au Service de la Culture (1994). Haiti: A Basic Reference Book. Miami, Florida: Librairie Au Service de la Culture. p. 109. ISBN 0-9638599-0-0.
- ↑ 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 St. James guide to Black artists. Riggs, Thomas, 1963-, Dodson, Howard,, Schomburg Center for Research in Black Culture. Detroit. 1997. ISBN 1-55862-220-9. OCLC 36470125.CS1 maint: others (link)
- ↑ 6.00 6.01 6.02 6.03 6.04 6.05 6.06 6.07 6.08 6.09 St. James guide to Black artists. Riggs, Thomas, 1963-, Dodson, Howard,, Schomburg Center for Research in Black Culture. Detroit. 1997. ISBN 1-55862-220-9. OCLC 36470125.CS1 maint: others (link)
- ↑ A Collection of Haitian Iron Works.
- ↑ 8.0 8.1 8.2 8.3 8.4 8.5 8.6 Davenport Museum of Art (Davenport, Iowa) (1995). Tracing the spirit : ethnographic essays on Haitian art : from the collection of the Davenport Museum of Art. Brown, Karen McCarthy. Davenport, Iowa: The Museum. ISBN 0-295-97504-0. OCLC 34524490.