Lynette Yiadom-Boakye
Lynette Yiadom-Boakye ( bɛ dɔɣi o la yuuni 1977) o nyɛla ŋun nyɛ peenta peenta. [1]
O pilli mini bɛhigu sɔli taarihi
mali niŋLynette Yiadom-Boakye nyɛla bɛ ni daa dɔɣi so tiŋyuli booni London, UK , ni ka o be ka tumdi saha ŋɔ.[2] O laambi nyɛla ban nyɛ neesi nima, ka tumdi bɛ tuma alaafee bontimaŋ yuli booni National Health Service puuni saha shɛli bɛ ni daa yi Ghana tingban ni n kuli UK la yuuni 1960s.[3] .[4][5]
O tuma nim pam din yɔli
mali niŋ- Nous étions (2007), Studio Museum in Harlem, New York[6]
- The Fondness (2010), Nelson-Atkins Museum of Art, Kansas City, Missouri[7]
- Tambourine (2010), Nasher Museum of Art, Durham, North Carolina[8]
- Skylark (2010), Museum of Modern Art, New York[9]
- King for an Hour (2011), Pérez Art Museum Miami[10]
- Bracken or Moss (2012), Museum of Contemporary Art, Chicago[11]
- 10pm Saturday (2012), Tate, London[12]
- Siskin (2012), Victoria and Albert Museum, London[13]
- A Few For the Many (2013), Los Angeles County Museum of Art[14]
- Appreciation of the Inches (2013), San Francisco Museum of Modern Art[15]
- Observer of Spring (2013) Museum of Modern Art, Warsaw[16]
- Trapsprung (2013), Seattle Art Museum[17]
- Womanology 12 (2014), National Museum of African Art, Smithsonian Institution, Washington, D.C.[18]
- A Culmination (2016), Kunstmuseum Basel, Switzerland[19]
- 8am Cadiz (2017), Baltimore Museum of Art[20]
- Medicine at Playtime (2017), Museum of Contemporary Art, Los Angeles[21]
- The Much-Vaunted Air (2017), Institute of Contemporary Art, Boston[22]
- No Need of Speech (2018), Carnegie Museum of Art, Pittsburgh[23]
- Repose 3 (2018), Dallas Museum of Art[24]
- Shelves for Dynamite (2018), Minneapolis Institute of Art[25]
Kundivihira
mali niŋ- ↑ "Lynette Yiadom-Boakye's Imaginary Portraits". The New Yorker (in English). 2017-06-12. Retrieved 2023-04-11.
- ↑ LYNETTE YIADOM-BOAKYE: The Love Within | Contemporary And (de).
- ↑ Baruchello, Giorgio (2020). "W. Friese et al. (eds.), Ascending and Descending the Acropolis: Movement in Athenian Religion; and T. Møbjerg et al. (eds.), The Hammerum Burial Site: Customs and Clothing in the Roman Iron Age (Aarhus: Aarhus University Press, 2019)". Nordicum-Mediterraneum 15 (1). DOI:10.33112/nm.15.1.10. ISSN 1670-6242.
- ↑ A chirim ya: Invalid
<ref>tag; no text was provided for refs namedIn the studio - ↑ Extracts and Verses
- ↑ Nous étions.
- ↑ The Fondness. Nelson-Atkins Museum of Art.
- ↑ Tambourine.
- ↑ Lynette Yiadom-Boakye.
- ↑ King for an Hour.
- ↑ Bracken or Moss.
- ↑ Lynette Yiadom-Boakye born 1977.
- ↑ Siskin | Yiadom-Boakye, Lynette | V&A Search the Collections (en) (25 August 2020).
- ↑ A Few For the Many. Los Angeles County Museum of Art.
- ↑ Appreciation of the Inches.
- ↑ Observer of Spring (7 November 2014).
- ↑ Lynette Yiadom-Boakye – Artists – eMuseum.
- ↑ Womanology 12.
- ↑ A Culmination (de).
- ↑ 8am Cadiz. Baltimore Museum of Art.
- ↑ Medicine at Playtime. Museum of Contemporary Art, Los Angeles.
- ↑ The Much-Vaunted Air. Institute of Contemporary Art, Boston.
- ↑ No Need of Speech. Carnegie Museum of Art.
- ↑ Repose 3. Dallas Museum of Art.
- ↑ Shelves for Dynamite. Minneapolis Institute of Art.
Karimbu nim yaha
mali niŋ- Orlando Reade Archived 2020-06-17 at the Wayback Machine, "Life Outside the Manet Paradise Resort: On the Paintings of Lynette Yiadom-Boakye", The White Review, November 2012.
- Eddie Chambers, "Black British artists who should be better known", The IB Tauris Blog, 7 August 2014.
- Smith, Zadie (June 19, 2017). "A bird of few words : narrative mysteries in the paintings of Lynette Yiadom-Boakye". Onward and Upward with the Arts. The New Yorker. Vol. 93 no. 17. pp. 48–53. (Online version is entitled "Lynette Yiadom-Boakye’s imaginary portraits".)
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