Keith Anthony Morrison

Jamaicanima nuchee ni baŋda

Keith Anthony Morrison, Commander of Distinction (C.D.), bɛ daa dɔɣi o Silimiin goli May biɛɣ'pishi dali yuuni 1942),[1] nyɛla Jamaican bilichini ŋun nyɛ nuchee ni baŋda ka o tuma tooi jɛndi pɛnntibu

Keith Anthony Morrison
Linstead (en) Translate, 1942 (run 81/82)
Afro Caribbeans (en) Translate
African Americans (en) Translate
Education
Shikuru shɛli o ni chaŋSchool of the Art Institute of Chicago (en) Translate
(1959 - 1965) Bachelor of Fine Arts (en) Translate, Master of Fine Arts (en) Translate
Tuma
Tumaartist (en) Translate, art critic (en) Translate, curator (en) Translate ni university teacher (en) Translate
Ŋun kpuɣi o tumaFisk University (en) Translate
University of Maryland (en) Translate
University of Chicago (en) Translate
DePaul University (en) Translate
University of Michigan (en) Translate
Maryland Institute College of Art (en) Translate
keithmorrison.com
Transcendence, 60 X 76, Acrylic, 2019
Transcendence, 60 X 76, Acrylic, 2019

Bibliography

mali niŋ
  • Stein, Judith: Passages: Keith Morrison: 1999-2019, Katzen Art Center, Washington DC, June–August, 2019.
  • Braham, Persephone: African Diaspora in the Cultures of Latin America, the Caribbean, and the United States, University of Delaware Press, 2014.
  • Edmunds, Allan: Keith Morrison, Lifetime Achievement, Brandywine Workshop, May 2013.
  • Knight, Franklin, "Art of Keith Morrison", Jamaica Observer, November 2011.
  • McGee, Julie: Keith Morrison: The Middle Passage, University of Delaware Museums, September 7, 2011.
  • Chen-Young, Leisha: "An Artistic Eye", Jamaica Observer, June 15, 2008.
  • Ater, Rene: Keith Morrison, Pomegranate Press, 2005.
  • Driskell, David C: The Other Side of Color; San Francisco: Pomegranate Press, 2001.
  • Amidon, Catherine: Migration, Transition, and Change; New York: Venice Biennale, 2001.
  • Morrison, Keith. "Preserving Whose Mortality or Immortality?" pp. 161–164, Mortality/Immortality?: The Legacy of 20th Century Art. Miguel Angel Corzo, editor, Los Angeles: The Getty Conservation Institute, 1999.
  • Bettelheim, Judith A. "Three Transnational Artists: Jose Bedia, Eduoard Duval-Carrié and Keith Morrison." pp. 43–48, The International Review of African American Art, 1998, Vol. 15, No. 3.
  • Burgard, Timothy Anglin. Art and Ethnography, San Francisco: M.H. de Young Memorial Museum, 1998.
  • Poupeye, Veerle. Caribbean Art, New York: Thames and Hudson, 1998.
  • Powell, Richard. Black Art and Culture in the Twentieth Century, London: Thames and Hudson, 1997.
  • Baker, Kenneth. "Keith Morrison's Art is the Stuff of Dreams", p. E1, San Francisco Chronicle, April 13, 1996.
  • Berkson, Bill. Chaos Dancer, San Francisco: Bomani Gallery, 1996.
  • Bettelheim, Judith. A Transnational Artist with a Jamaica Soul, San Francisco: Bomani Gallery, 1996.
  • Art in Chicago, 1945-95, Chicago: Museum of Contemporary Art, 1996.
  • Britton, Crystal A. African American Art: The Long Struggle, New York: Smithmark, 1996.
  • Lewis, Samella. Caribbean Visions, Richmond, VA: Art Services International, 1995.
  • Driskell, David C., editor, African American Visual Aesthetics: A Postmodernist View (Smithsonian Institution Press, 1995).
  • Risatti, Howard. "Keith Morrison at Brody Gallery" p. 108, Artforum, January 1992.
  • Perry, Regina A. Free Within Ourselves: African-American Artists in the Collection of the National Museum of American Art. pp. 147–149, Washington, DC: National Museum of American Art, Smithsonian Institution, 1992.
  • Mereweather, Charles: Myth and Magic, In the Americas: The Eighties; Monterrey: Museum of Modern Art, 1991.
  • Lippard, Lucy. Mixed Blessings: New Art in a Multicultural America, New York: Pantheon Books, 1990.
  • Smith, Roberta. "The Galleries of TriBeCa and What's in Them" p. C22, The New York Times, April 27, 1990.
  • Driskell, David C. Keith Morrison: Interpreter of the Mythic Dream, New York: Alternative Museum, 1990.
  • Powell, Richard. Anansi Revisited: Keith Morrison's New Work, New York: Alternative Museum, 1990.
  • Francis, Irma Talabi. "Keith Morrison: Spiritual Obsession", Eyewash, November 1990.
  • Powell, Richard, The Blues Aesthetics, WPA, Washington DC, 2001.
  • Driskell, David C. Contemporary Visual Expressions, Smithsonian Press, 1987.
  • Forgey, Benjamin. "Urban Expressions: Contemporary Art Opens at Anacostia." p. G7, The Washington Post, May 16, 1987.
  • Bontemps, Arna Alexander. Choosing. Washington DC: Museum Press, 1985, pp. 60–61.
  • Laing, E. K. "Why it's important to bring black artists out of cultural isolation." p. 29, The Christian Science Monitor, November 20, 1985.
  • Richard, Paul. "Black Artists: Their Pride & Problems: Keith Morrison"; The Washington Post, March 15, 19.
  • East/West: Contemporary American Art; Los Angeles: California Afro-American Museum, 1985.
  • Livingston, Jane: Ten + Ten + Ten; Washington, D.C.: Corcoran Gallery of Art, 1984.
  • Cederholm, Theresa Dickason, editor, Afro-American Artists (Boston Public Library, 1973).

Kundivihira

mali niŋ
  1. "Resume", Keith Anthony Morrison.
mali niŋ