John Constable
John Constable RA (/ˈkʌnstəbəl, ˈkɒn-/;[1] 11 June 1776 – 31 March 1837), o daa nyɛla England peenta-peenta. O suuna yuli n-nyɛ Suffolk.[2] [3]
John Constable | |
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Tuma |
Constable peentibunima shɛŋa n-nyɛ Wivenhoe Park (1816), Dedham Vale (1828), The Hay Wain (1821).[4] Bɛ daa piigi o niŋ Royal Academy of Arts saha shɛli o ni daa nyɛ yuun pihinu ni ayi.
Anfooninima
mali niŋ-
Harwich Lighthouse, oil on canvas, 1820.
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Waterloo Bridge, oil on canvas, 1820.
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View on the Stour near Dedham, 1822, oil on canvas, Huntington Library, Los Angeles County
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The Leaping Horse, 1825, oil on canvas, Royal Academy of Arts, London
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Branch Hill Pond, Hampstead Heath, oil on canvas, 1825
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Salisbury Cathedral from the Bishop's Grounds c. 1825. As a gesture of appreciation for John Fisher, the Bishop of Salisbury, who commissioned this painting, Constable included the Bishop and his wife in the bottom left corner. Frick Collection, New York City.
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Parham Mill, 1826
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Sir Richard Steele's Cottage, Hampstead, oil on canvas, 1832.
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Arundel Mill and Castle, oil on canvas, 1837.
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A detail of The Hay Wain by John Constable
Peentibu shɛŋa
mali niŋ- Dedham Vale (1802) – Victoria and Albert Museum, London
- The Stour (1810) – Philadelphia Museum of Art[5]
- Landscape: Two Boys Fishing (1813) – Anglesey Abbey, Cambs, NT
- Landscape: Ploughing Scene in Suffolk (1814, revised c. 1816 and 1831) – Yale Center for British Art, New Haven
- The Mill Stream, Flatford (1814) – Christchurch Mansion, Ipswich
- The Stour Valley And Dedham Village (1814–1815) – Museum of Fine Arts, Boston[6]
- Boat-Building Near Flatford Mill (1815) – Victoria and Albert Museum, London
- Golding Constable's Flower Garden (1815) – Christchurch Mansion, Ipswich
- Golding Constable's Kitchen Garden (1815) – Christchurch Mansion, Ipswich
- Portrait of Maria Bicknell, Mrs. John Constable (1816) – Tate Britain, London
- Wivenhoe Park, Essex (1816) – National Gallery of Art, Washington, D.C.
- The Quarters behind Alresford Hall (1816) – National Gallery of Victoria, Melbourne
- Flatford Mill (original title Scene on a Navigable River) (1816) – Tate Britain, London
- Two Donkeys (1816) – Philadelphia Museum of Art[7]
- Weymouth Bay: Bowleaze Cove and Jordon Hill (1816–17) – National Gallery, London
- A Cottage in a Cornfield (1817) – National Museum Cardiff
- Weymouth Bay with Approaching Storm (1819) – Louvre, Paris
- The White Horse (A Scene on the River Stour) (1819) – Frick Collection, New York City
- Harwich- The Low Lighthouse and Beacon Hill (1820) – Yale Center for British Art, New Haven
- Hampstead Heath (1820) – Fitzwilliam Museum, Cambridge
- Dedham Lock and Mill (1820) – Victoria and Albert Museum, London
- Stratford Mill (1820) – National Gallery, London
- The Hay Wain (original title Landscape: Noon; 1821) – National Gallery, London
- The Grove, or the Admiral's House in Hampstead (1821–22) – Alte Nationalgalerie, Berlin
- View on the Stour near Dedham (1822) – The Huntington Library, San Marino, CA
- Salisbury Cathedral from the Bishop's Grounds (1823) – Victoria and Albert Museum, London
- The Lock (1824) – Private Collection
- Seascape Study with Rain Clouds (1824–25) – Royal Academy of Arts, London
- Brighton Beach (c. 1824–26) – Dunedin Public Art Gallery, Dunedin
- The Leaping Horse (1825) – Royal Academy of Arts, London
- Salisbury Cathedral from the Bishop's Grounds (1825) – Frick Collection, New York City
- The Cornfield (1826) – National Gallery, London
- Chain Pier, Brighton (1827) – Tate Britain, London
- The Vale of Dedham (1828) – National Gallery of Scotland, Edinburgh
- Hadleigh Castle (1829) – Yale Center for British Art and sketch Tate Britain
- Salisbury Cathedral from the Meadows (1831) – Tate Britain, London
- Sir Richard Steele's Cottage, Hampstead (1832) – Yale Center for British Art
- The Opening of Waterloo Bridge (1832) – Tate Britain, London
- The Valley Farm (1835) – Tate Britain, London
- Stonehenge (1835) – Victoria and Albert Museum, London
- Hampstead Heath with a Rainbow (1836) – Tate Britain, London
- Cenotaph to the Memory of Sir Joshua Reynolds (1836) – National Gallery, London
- Arundel Mill and Castle (c. 1836–37) – Toledo Museum of Art, Toledo, OH
Kundivihira
mali niŋ- ↑ "Constable, John," Random House Webster's Unabridged Dictionary
- ↑ V&A: John Constable - an introduction
- ↑ Parkinson 1998, p. 9
- ↑ Constable’s Wivenhoe Park is widely recognized as an important work in the artist’s career. Archived 29 Silimin gɔli November 2014 at the Wayback Machine
- ↑ Thompson, Jennifer A.. The Stour by John Constable (cat. 857). A Philadelphia Museum of Art free digital publication.
- ↑ "John Constable's Stour Valley location mystery solved". BBC News. 26 January 2010. http://news.bbc.co.uk/1/hi/entertainment/arts_and_culture/8479295.stm.
- ↑ Thompson, Jennifer A.. Two Donkeys by John Constable (inv. 155). A Philadelphia Museum of Art free digital publication.
Bibliography
mali niŋ- Bailey, Anthony (2007), John Constable: A Kingdom of His Own, London: Vintage, ISBN 978-1-84413-833-3
- Beckett, Ronald B. (1962), John Constable's Correspondence VI: The Fishers, Woodbridge: Boydell & Brewer Ltd, ISBN 978-0-90071-609-6
- Charles, Victoria (2015), Constable, New York: Parkstone International, ISBN 978-1-78042-954-0
- Constable, Freda (1975), John Constable, Lavenham: Terence Dalton, ISBN 0-900963-54-9
- Cormack, Malcolm (1986), Constable, Oxford: Phaidon, ISBN 0-7148-2350-3
- Fleming-Williams, Ian (1976), Constable: Landscape Watercolours & Drawings, London: Tate, ISBN 0-905005-10-4
- Fleming-Williams, Ian; Parris, Leslie (1984), The Discovery of Constable, London: Hamish Hamilton, ISBN 0-241-11248-6
- Fraser, John Lloyd (1976), John Constable: 1776–1837, Newton Abbot, UK: Readers Union, ISBN 0-09-125540-6
- Gayford, Martin (2009), Constable in Love: Love, Landscape, Money and the Making of a Great Painter, Fig Tree
- Hamilton, James (2022), Constable: A Portrait, Weidenfeld & Nicolson, ISBN 978-1474612913
- Holmes, Charles John (2012), John Constable: Illustrated, The Bookmill, ISBN 978-0-9567303-6-7 Kindle
- Kelder, Diane (1980), The Great Book of French Impressionism, New York: Abbeville Press, ISBN 0-89659-151-4
- Johnson, Paul (1991), The Birth of the Modern: World Society 1815-1830, University of Michigan: HarperCollins, ISBN 9780060165741
- Leslie, C. R. (1995), Mayne, Jonathan (ed.), Memoirs of the Life of John Constable, London: Phaidon, ISBN 0-7148-3360-6
- Lyles, Anne, ed. (2006), Constable: The Great Landscapes, London: Tate Publishing, ISBN 1-85437-635-7
- Mayor, A. Hyatt (1980), Prints & People: A Social History of Printed Pictures, Princeton, N. J.: Princeton University Press, ISBN 0-691-00326-2
- Parkinson, Ronald (1998), John Constable: The Man and His Art, London: V&A, ISBN 1-85177-243-X
- Parris, Leslie; Fleming-Williams, Ian (1991), Constable, London: Tate, ISBN 1-85437-070-7
- Parris, Leslie; Fleming-Williams, Ian (1982), Lionel Constable, London: Tate, ISBN 0-905005-38-4
- Parris, Leslie; Fleming-Williams, Ian; Shields, Conal (1976), Constable: Paintings, Watercolours & Drawings, London: Tate Gallery, ISBN 0-905005-15-5
- Pool, Phoebe (1964), John Constable, London: Blandford, OCLC 3365016
- Reynolds, Graham (1976), Constable: The Natural Painter, St Albans, UK: Panther, ISBN 0-586-04401-9
- Reynolds, Graham (1983), Constable's England, New York, NY: Metropolitan Museum of Art, ISBN 9780870993350
- Rhyne, Charles (2006), "The Remarkable Story of the 'Six-Foot Sketches'", Constable: The Great Landscapes, ed. Anne Lyles, London: Tate, ISBN 978-1-85437-635-0
- Rhyne, Charles (1990), John Constable: Toward a Complete Chronology, Portland, Oregon: Author, ISBN 0-9627197-0-6
- Rosenthal, Michael (1987), Constable, London: Thames and Hudson, ISBN 0-500-20211-7
- Rosenthal, Michael (1983), Constable: The Painter and His Landscape, New Haven, CT.: Yale University Press, ISBN 0-300-03014-2
- Smart, Alastair; Brooks, Attfield (1976), Constable and His Country, London: Elek, ISBN 0-236-40011-8
- Sunderland, John (1986), Constable, London: Phaidon, ISBN 978-0-7148-2754-4
- Thornes, John E. (1999), John Constable's Skies, Birmingham: University of Birmingham Press, ISBN 1-902459-02-4
- Vaughan, William (2002), John Constable, London: Tate, ISBN 1-85437-434-6
- Walker, John (1979), Constable, London: Thames and Hudson, ISBN 0-500-09133-1
- Wilcox, Timothy (2011), Constable and Salisbury. The soul of landscape, London: Scala, ISBN 978-1-85759-678-6
External links
mali niŋWikiquote has quotations related to John Constable. |
- Tɛmplet:Art UK bio
- John Constable: Sketch for Hadleigh Castle c1828 – Great Works of Western Art
- A gallery of Constable's cloud studies
- Web feature from Royal Academy of Arts
- Constable's Great Landscapes: The Six-Foot Paintings at the National Gallery of Art, Washington, DC
- John Constable: a complete chronology and other articles
- Constable's Oil Sketches Victoria and Albert Museum
- A Sketchbook by Constable Victoria and Albert Museum
- List of works held by the Victoria and Albert Museum
- 390 paintings by John Constable at www.John-Constable.org
- Gallery of Constable Paintings at MuseumSyndicate Archived 22 Silimin gɔli March 2009 at the Wayback Machine
- Portraits by the artist as a young man: Constable's parents finally identified, The Guardian, March 4, 2009
- Memoirs of the Life of John Constable, ed C. R. Leslie 1843
- Romanticism & the school of nature : nineteenth-century drawings and paintings from the Karen B. Cohen collection, fully digitized text from The Metropolitan Museum of Art libraries
- Charles Rhyne Archive - Research on John Constable