Giovanni Battista Tiepolo
Giovanni Battista Tiepolo (/tiˈɛpəloʊ/ tee-EP-ə-loh, it;[1] 5 March 1696 – 27 March 1770), o nyɛla bɛ ni lahi booni so Giambattista (bee Gianbattista) Tiepolo, o daa nyɛla Italy peenta-peenta mini ŋun daa pirintiri binyɛra ka yina Republic of Venice.
Giovanni Battista Tiepolo | |
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Tuma |
Giovan Battista Tiepolo, n-ti pahiGiambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, ni Francesco Guardi nyɛla ninvuɣ'shɛba ban daa pun tumdi lala tuma ŋɔ.[2]
Maŋmaŋa lahabali
mali niŋPiligu biɛhigu (1696–1726)
mali niŋBɛ daa dɔɣi o la Venice, o laamba n daa nyɛ Domenico mini Orsetta Tiepolo.[4][5]
Anfooninima
mali niŋ-
Satyress with a Putto, c. 1740–1742, Norton Simon Museum
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The Empire of Flora, c. 1743, Fine Arts Museums of San Francisco
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The Sacrifice of Iphigenia, 1757, Villa Valmarana
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Allegory of Virtue and Nobility (Allegory of Strength and Wisdom), c. 1740–1750, Museo Poldi Pezzoli
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Sketch for Venus and Vulcan, 1765–66
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Satyr Family (Pan and his Family), etching, c. 1743–1750
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Caricature of a short gentleman holding a muff, pen and ink with gray wash
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Woman and infant satyr in a landscape, from the etching series 'The Capricci'
Tumanima
mali niŋO ni peenti binshɛŋa pɔi ni yuuni 1740
mali niŋWork | Date | Location | Link |
---|---|---|---|
Scipio Africanus Freeing Massiva | between 1719 and 1721 | The Walters Art Museum, Baltimore, USA | |
The Martyrdom of St. Bartholomew | 1722 | San Stae, Venice | |
The Glory of St. Dominic | 1723 | Gallerie dell'Accademia, Venice | |
The Rape of Europa | c. 1725 | Gallerie dell'Accademia, Venice | |
Allegory of the Power of Eloquence | c. 1725 | Courtauld Institute, Modello for Palazzo Sandi, Venice | |
Frescoes | 1726 | Episcopal palace, Udine | |
Ca' Dolfin Tiepolos | 1726–1729 | Metropolitan Museum of Art, New York; Hermitage Museum, St Petersburg; Kunsthistorisches Museum, Vienna | |
Perseus & Andromeda | 1730 | Frick Collection | |
Education of the Virgin | 1732 | Santa Maria della Consolazione (Fava), Venice | |
Angel rescuing Hagar | 1732 | Scuola di San Rocco, Venice | |
John the Baptist preaching | 1732–1733 | Cappella Colleoni, Bergamo | |
Beheading of John the Baptist | 1732–1733 | Cappella Colleoni, Bergamo | |
Scourge of the Serpents | 1732–1735 | Gallerie dell'Accademia, Venice | |
Joseph receiving ring from pharaoh | 1732–1735 | Dulwich Picture Gallery | |
Triumph of Zephyr and Flora | 1734–1735 | Museo del Settecento Veneziano, Ca' Rezzonico, Venice | |
Jupiter and Danaë | 1736 | Universitet Konsthistoriska Institutionen, Stockholm | |
The Finding of Moses | 1736–1738 | National Gallery of Scotland, Edinburgh | |
Pope St. Clement Adoring the Trinity | 1737–1738 | Alte Pinakothek, Munich | |
Saint Augustin, Saint Louis of France, Saint John the Evangelist and a bishop | 1737–1738 | Palais des Beaux-Arts de Lille | |
Institution of the Rosary | 1737–1739 | Church of the Gesuati, Venice | |
Christ Carrying the Cross | 1737–1738 | Sant'Alvise, Venice | |
The Madonna of Mount Carmel | 1730s | Pinacoteca di Brera, Milan | |
Virgin with Six Saints | 1737–1740 | Museum of Fine Arts, Budapest |
Tuma din tum 1740–1750
mali niŋWork | Date | Location | Link |
---|---|---|---|
The Virgin with 3 female Dominican Saints | 1739–1748 | Church of the Gesuati, Venice | |
Alexander the Great and Campaspe in the Studio of Apelles | 1740 | Getty Center, Los Angeles | |
The Virgin Appearing to St. Philip Neri | 1740 | Museo Diocesano, Camerino | |
The Gathering of Manna | 1740–1742 | Parrocchiale, Verolanuova | |
The Sacrifice of Melchizedek | 1740–1742 | Parrocchial church, Verolanuova | |
The Finding of Moses | 1740–1745 | National Gallery of Victoria, Melbourne | [1] |
Rinaldo Enchanted by Armida | 1742 | Art Institute of Chicago | |
Rinaldo and Armida in Her Garden | 1742 | Art Institute of Chicago | |
Armida Abandoned by Rinaldo | 1742 | Art Institute of Chicago | |
Rinaldo and the Magus of Ascalon | 1742 | Art Institute of Chicago | |
The Triumph of Virtue and Nobility over Ignorance | 1743 | Norton Simon Museum, (Pasadena, CA) | |
Empire of Flora | 1743 | The Legion of Honor, (San Francisco, CA) | |
Time Unveiling Truth | c. 1743 | Museo Civico Palazzo Chiericati, Vicenza | |
The Banquet of Cleopatra | 1743–1744 | National Gallery of Victoria, Melbourne | [2] |
Worshippers | 1743–1745 | Gallerie dell'Accademia, Venice | |
Apollo and Daphne | 1755–1760 | National Gallery of Art, Washington DC | [3] |
Discovery of the True Cross | c. 1745 | Gallerie dell'Accademia, Venice | |
Time Unveiling Truth | c. 1745–1750 | Museum of Fine Arts, Boston | [4] |
Frescoes of the story of Cleopatra | 1746 | Palazzo Labia, Venice | |
Saint Patrick, Bishop of Ireland | 1746 | Musei Civici di Padova, Padua | |
Last Communion of St. Lucy | 1747–1748 | Santi Apostoli, Venice | |
The Banquet of Cleopatra and Antony | 1747–1750 | North Carolina Museum of Art, Raleigh, North Carolina, USA | |
The Glorification of the Barbaro Family | 1749–1750 | Metropolitan Museum of Art, New York, USA | |
St. James the Greater Conquering the Moors | 1749–1750 | Museum of Fine Arts, Budapest, Hungary | |
Bacchus and Ariadne | 1743–1745 | National Gallery of Art, Washington, D.C., USA |
Tuma din tum yuuni 1750 nyaaŋa
mali niŋWork | Date | Location | Link |
---|---|---|---|
Frescoes | 1751–1753 | Residenz, Würzburg | [5] [6] |
Collecting Manna | c. 1751 | National Museum of Serbia, Belgrade | |
Allegory of Planets and Continents | 1752 | Metropolitan Museum of Art, New York | [7] |
The Death of Hyacinth | 1752–1753 | Thyssen-Bornemisza Museum, Madrid | |
Adoration of the Magi | 1753 | Alte Pinakothek, Munich | |
Coronation of the Virgin | 1754 | Kimbell Art Museum, Dallas (modelo for Ospedale della Pietà) | |
The Entrance of the Gonfaloniere Piero Soderini into Florence in 1502 (L'ingresso di gonfaloniere Piero Soderini in Firenze nel 1502) | 1754 | Swiss Embassy, Rome, Italy | [8] |
An Allegory with Venus and Time | 1754–1758 | National Gallery, London | |
Frescoes from Roman mythology | 1757 | Villa Valmarana, Vicenza | |
A Seated Man and a Girl with a Pitcher | c. 1755 | National Gallery, London | |
The Theological Virtues | c. 1755 | Royal Museums of Fine Arts of Belgium, Brussels | |
The Martyrdom of St. Agatha | c. 1756 | Gemäldegalerie, Berlin, | |
Allegory of Merit Accompanied by Nobility and Virtue | 1757–1758 | Museo del Settecento Veneziano, Ca' Rezzonico, Venice | |
Santa Tecla prays for the Liberation of Este from the Plague | 1759 | Church of Santa Tecla, Este | |
Pope St. Sylvester baptises emperor Constantine the Great | 1759 | Chiesa di San Silvestro, Brescia | |
The Vision of St. Anne | 1759 | Gemäldegalerie Alte Meister, Dresden | |
Virtue and Nobility Crowning Love | 1759–1761 | Museum of Fine Arts, Boston | |
Modello for the Apotheosis of the Pisani Family | 1760 | Musée des Beaux-Arts d'Angers | |
Madonna of the Goldfinch | c. 1760 | National Gallery of Art, Washington | |
Woman with a Parrot | 1760–1761 | Ashmolean Museum, Oxford | |
Apotheosis of the Pisani Family | 1761–1762 | Villa Pisani, Stra | |
San Carlo Borromeo | 1767–1769 | Cincinnati Art Museum | |
The Immaculate Conception | 1767–1769 | Museo del Prado, Madrid | |
Glory of Spain | 1762–1766 | Throne Room of Royal Palace of Madrid | |
The Apotheosis of the Spanish Monarchy | 1762–1766 | Queen's Antechamber, Royal Palace of Madrid | |
Venus and Vulcan | 1762–1766 | Halberdiers' Room, Royal Palace of Madrid | |
The Entombment of Christ | 1769–1770 | National Museum of Ancient Art, Lisbon | [9] |
The Flight to Egypt | 1765–1770 | National Museum of Ancient Art, Lisbon | [10] |
Kundivihira
mali niŋ- ↑ Luciano Canepari. Tiepolo (it). DiPI Online.
- ↑ Levey 1980, p. 193.
- ↑ Scipio Africanus Freeing Massiva.
- ↑ Barcham, William L. "Tiepolo". Grove Art Online. Oxford Art Online, Oxford University Press. Retrieved 3 May 2014. Tɛmplet:Subscription required
- ↑ "Tièpolo, Giambattista". Treccani (in Italian). Treccani. Retrieved 3 May 2014.
Sources
mali niŋ- Giambattista Tiepolo 1698–1770 (Exhibition catalogue). New York: Metropolitan Museum of Art. 1996. ISBN 9780870998119.
- Levey, Michael (1980). Painting in Eighteenth-Century Venice (revised ed.). Cornell University Press. pp. 225–230. ISBN 9780801413315.
- Wittkower, Rudolf (1993). Art and Architecture in Italy.
Further reading
mali niŋ- Barcham, William L. (1992). Giambattista Tiepolo. Thames and Hudson. ISBN 0-500-08054-2.
- Baxandall, Michael; Alpers, Svetlana (1994). Tiepolo and the Pictorial Intelligence. New Haven: Yale University Press. ISBN 9780300059786.
- Rizzi, Aldo (1971). The etchings of the Tiepolos. Electa. ISBN 0-7148-1499-7.
- Aldo Rizzi, Il Tiepolo all'Arcivescovado di Udine, Milano 1965.
- Aldo Rizzi, Tiepolo a Udine, Milano 1969.
- Aldo Rizzi, le acqueforti dei Tiepolo, Milano, 1970.
- Aldo Rizzi, La grafica del Tiepolo: le acqueforti, Milano 1971.
- Aldo Rizzi, La mostra del Tiepolo, Milano 1971.
- Aldo Rizzi, Giambattista Tiepolo, Milano 1990.
- Aldo Rizzi, I Tiepolo a Udine, Milano 1996.
- Adelheid M. Gealt and George Knox, Domenico Tiepolo: A New Testament, Bloomington, IN, Indiana UP, 2006.
- Bostock, Sophie, "The Pictorial Wit of Domenico Tiepolo" unpublished PhD Thesis, University of Warwick, https://wrap.warwick.ac.uk/3144/
- Christiansen, Keith. Giambattista Tiepolo, 1696–1770, New York: Metropolitan Museum of Art, 1996. ISBN 9780870998119.
- Boorsch, Suzanne. Venetian prints and books in the age of Tiepolo, New York: Metropolitan Museum of Art, 1997. ISBN 9780300203271.
External links
mali niŋWikimedia Commons has media related to Giovanni Battista Tiepolo. |