Edvard Munch

Edvard Munch (/mʊŋk/ MUUNK; Norwegian: [ˈɛ̀dvɑɖ ˈmʊŋk] (listen); 12 December 1863 – 23 January 1944) o daa nyɛla Norway peenta-peenta. O yuuni 1893 tuuni The Scream nyɛla di leei "Western art's" anfooni shɛli niriba ni taɣi deei pam.

Edvard Munch
Dɔɣim yuli	Edvard Munch
Ådalsbruk (en) , Silimin gɔli December 12, 1863
O ya Tiŋgbaŋ	Norway
Residence	Oslo (mul) Ekely (en) Edvard Munchs house (en)
A ya balli	Norwegian (en)
Kpibu shee	Ekely (en) ni Oslo (mul) , Silimin gɔli January 23, 1944
Vår Frelsers gravlund (en)
Ba	Christian Munch
Ma	Laura Cathrine Munch
Tizo	view Inger Munch (en) Peter Andreas Munch (en) Laura Munch (en)
Education
Shikuru shɛli o ni chaŋ	Oslo Cathedral School (en) Norwegian National Academy of Craft and Art Industry (en) Academy of Fine Arts, Munich (en)
Bala yɛlibu, sabbu bee buɣisibu	Farinsi Norwegian (en)
Tuma
Tuma	Pɛnta-pɛnta, graphic artist (en) , printmaker (en) , drawer (en) ni architectural draftsperson (en)
Tuma shee	Oslo (mul) , Berlin ni Åsgårdstrand (en)
Notable work	Death and the Child (en) Vampire (en) The Scream (en) The Girls on the Bridge (en) Dr. Linde's Sons (en) From Travemünde (en) Lothar Linde in Red Jacket (en) Self-Portrait with the Spanish Flu (en) Arve Arvesen (en)
Pin' shɛŋa o ni dee	view Knight Grand Cross of the Order of St. Olav‎ Goethe Medal for Art and Science  (1932)
Influenced by	Christian Krohg (mul)
Nira zaŋti	Berlin Secession (en)
Laɣingu	Symbolism (en) Expressionism (en)
Nuu tuunbaŋsim balibu	portrait (en) Expressionism (en) genre painting (en) landscape painting (en) self-portrait (en)

For the film, see Edvard Munch (film).

Melancholy, 1891, oil, pencil and crayon on canvas, 73 × 101 cm, Munch Museum, Oslo

Munch in 1902, in the garden of his patron Max Linde in Lübeck; in the background is a cast of Auguste Rodin's sculpture The Age of Bronze

Although it is a highly unusual representation, this painting might be of the Virgin Mary. Whether the painting is specifically intended as a representation of Mary is disputed. Munch used more than one title, including both Loving Woman and Madonna.

From Thuringerwald, 1905, oil on canvas. The work depicts a sinuous cut through the forest with a fleshy earth that harkens back to a physical connection to the viewer.

The Sick Child (1907)

Harald Nørregaard (with his wife, painted by Munch in 1899, National Gallery) was one of Munch's closest friends since adolescence, and his adviser and lawyer.

Munch Museum, Oslo

Munch Museum, Oslo

From my rotting body,
flowers shall grow
and I am in them
and that is eternity.

Edvard Munch

Tuun-zuɣuri

Life by Munch, at the Rådhuset (City Hall) in Oslo. The room is called The Munch room.

Main article: List of paintings by Edvard Munch

• 1885–1886: The Sick Child
• 1892: Evening on Karl Johan
• 1893: The Scream
• 1894: Ashes
• 1894: Despair
• 1894: Woman in Three Stages
• 1894–1895: Madonna
• 1894–1896: Melancholy
• 1895: Puberty
• 1895: Self-Portrait with Cigarette
• 1895: Death in the Sickroom
• 1899–1900: The Dance of Life
• 1899–1900: The Dead Mother
• 1903: Village in Moonlight
• 1940–1942: Self-Portrait. Between the Clock and the Bed.

Tuun'shɛŋa

• 
  Ashes, 1894, oil on canvas, 120.5 cm × 141 cm (47+1⁄2 in × 55+1⁄2 in). Nasjonalgalleriet, Oslo
• 
  The Dance of Life, 1899–1900, oil on canvas, 126 cm × 191 cm (49+1⁄2 in × 75 in), Nasjonalgalleriet, Oslo
• 
  At the Roulette Table in Monte Carlo, 1892, 74.5 cm × 116 cm (29+1⁄4 in × 45+3⁄4 in), Munch Museum, Oslo
• 
  Death in the Sickroom, 1893, 134 cm × 160 cm (52+3⁄4 in × 63 in), Munch Museum, Oslo
• 
  Starry Night, 1893, 135.6 cm × 140 cm (53+1⁄2 in × 55 in), J. Paul Getty Museum
• 
  Anxiety, 1894, 94 cm × 74 cm (37 in × 29+1⁄4 in), Munch Museum, Oslo
• 
  Despair, 1894, 92 cm × 72.5 cm (36+1⁄4 in × 28+1⁄2 in), Munch Museum, Oslo
• 
  Love and Pain (Vampire), 1895, 91 cm × 109 cm (35+3⁄4 in × 43 in), Munch Museum, Oslo
• 
  Death in the Sickroom, c. 1895, oil on canvas, 150 cm × 168 cm (59 in × 66 in), Nasjonalgalleriet, Oslo
• 
  Separation, 1896, 96 cm × 127 cm (37+3⁄4 in × 50 in), Munch Museum, Oslo
• 
  The Voice / Summer Night, 1896, 90 cm × 119 cm (35+1⁄2 in × 46+3⁄4 in), Munch Museum, Oslo
• 
  Red and White, 1899–1900, 93 cm × 129 cm (36+1⁄2 in × 50+3⁄4 in), Munch Museum, Oslo
• 
  Golgotha, 1900, oil on canvas, Munch Museum, Oslo
• 
  Kiss IV, 1902, woodcut print on wood, 47 cm × 47 cm (18+1⁄2 in × 18+1⁄2 in), Munch Museum, Oslo
• 
  Four Girls in Åsgårdstrand, 1903, 87 cm × 111 cm (34+1⁄4 in × 43+3⁄4 in), Munch Museum, Oslo
• 
  The Brooch, Eva Mudocci, 1903, lithograph print on paper, 76 cm × 53.2 cm (30 in × 21 in), Munch Museum, Oslo
• 
  Portrait of Friedrich Nietzsche, 1906, Thiel Gallery, Stockholm
• 
  Jealousy, 1907, 75 cm × 98 cm (29+1⁄2 in × 38+1⁄2 in), Munch Museum, Oslo
• 
  The Sun, 1910–1911, 450 cm × 772 cm (177+1⁄4 in × 304 in), Munch Museum, Oslo
• 
  Galloping Horse, 1910–12, 148 cm × 120 cm (58+1⁄4 in × 47+1⁄4 in), Munch Museum, Oslo
• 
  The Yellow Log, 1912, 129.5 cm × 159.5 cm (51 in × 62+3⁄4 in), Munch Museum, Oslo
• 
  Workers on their Way Home, 1913–14, 227 cm × 201 cm (89+1⁄4 in × 79+1⁄4 in), Munch Museum, Oslo

Nudes

• 
  The Hands, 1893, oil on canvas, 91 x 77 cm, Munch Museum, Oslo
• 
  Puberty, 1894–1895, oil on canvas, 151.5 x 110 cm, National Gallery (Norway)
• 
  Lady From the Sea (detail), 1896, oil on canvas. 100 cm × 320 cm (39+1⁄2 in × 126 in)
• 
  Metabolism, 1898–1899, 172 cm × 142 cm (67+3⁄4 in × 56 in), Munch Museum, Oslo
• 
  Death of Marat I 1907, 150 x 199 cm, Munch Museum, Oslo
• 
  Bathing Men, 1907–1908, oil on canvas, 206 x 227.5 cm, Ateneum, Helsinki
• 
  Weeping Woman, 1907–1909, oil on canvas, private collection
• 
  Morning Yawn, 1913, oil on canvas, 108 × 98 cm, Art Museums of Bergen
• 
  Weeping Nude, 1913–1914, 110 cm × 135 cm (43+1⁄4 in × 53+1⁄4 in), Munch Museum, Oslo
• 
  Model by the Wicker Chair, 1919–1921, oil on canvas, 122.5 × 100 cm, Munch Museum, Oslo

Self-portraits

See also: Self-portraiture

• 
  Self-Portrait, 1882, 26 cm × 19 cm (10+1⁄4 in × 7+1⁄2 in), Munch Museum, Oslo
• 
  Self-Portrait in Hell, 1903, 82 cm × 66 cm (32+1⁄4 in × 26 in), Munch Museum, Oslo
• 
  Self-Portrait with Brushes, 1904, 197 cm × 91 cm (77+1⁄2 in × 35+3⁄4 in), Munch Museum, Oslo
• 
  Self-Portrait with a Bottle of Wine, 1906, 110 cm × 120 cm (43+1⁄4 in × 47+1⁄4 in), Munch Museum, Oslo
• 
  Self-Portrait with the Spanish Flu, 1919, oil on canvas, 150 x 131 cm, National Gallery (Norway)
• 
  Self-Portrait. Between the Clock and the Bed. c. 1940–1943, Munch Museum, Oslo

Landscapes

• 
  Small Lake with Boat, 1880, oil on paper on board, 12 x 18 cm, Munch Museum, Oslo
• 
  From Sandviken, c. 1882, oil on cardboard, 20 x 25 cm, Flaten Art Museum
• 
  From Saxegårdsgate, c. 1882, oil on canvas, Lillehammer Art Museum, Lillehammer
• 
  Sketch for 'Ashes' , 1894, oil on canvas, Bergen Kunstmuseum
• 
  Train Smoke, 1900, 84 cm × 109 cm (33 in × 43 in), Munch Museum, Oslo
• 
  Shore with Red House, 1904, oil on canvas, 69 × 109 cm, Munch Museum, Oslo
• 
  Landscape at the Sea, 1918, oil on canvas, 120.9 x 160, Kunstmuseum Basel
• 
  Starry Night, 1922–1924, oil on canvas, 120.5 x 100 cm, Munch Museum, Oslo
• 
  Winter Night, Ekely, 1930–1931, oil on canvas

Photographs

• 
  Self-Portrait at 53 Am Strom in Warnemünde, 1907, Munch Museum, Oslo
• 
  Edvard Munch at the Beach in Warnemünde, 1907, Munch Museum, Oslo
• 
  Self-Portrait "à la Marat", 1908–09, Munch Museum, Oslo
• 
  Self-Portrait Somewhere on the Continent I, 1906, Munch Museum, Oslo
• 
  Portrait at 26 years
• 
  Portrait of Edvard Munch 1902
• 
  Portrait of Edvard Munch
• 
  Munch in 1912
• 
  Rosa Meissner at the Hotel Rohn in Warnemünde, 1907, photograph, Munch Museum, Oslo

Lihi pahi

• Edvard Munch, a 1974 biographical film
• List of claims for restitution for Nazi-looted art

Kundivihira

General sources

• Aarkrog, T (1990). Edvard Munch: The Life of a Person with Borderline Personality as Seen Through His Art [Edvard Munch, et livsløb af en grænsepersonlighed forstået gennem hans billeder]. Danmark: Lundbeck Pharma A/S. ISBN 978-8798352419.
• Altern, Arne (1961). "Tanker omkring et nedrevet hus". St. Hallvard.
• Berman, Patricia G., ed. (1986). Edvard Munch: Mirror Reflections. West Palm Beach, FL: Norton Gallery & School of Art. OCLC 757178143.
• Bernau, Nikolaus (2005). "Wo hing Munchs Lebens-Fries? Zu dem Bau der Kammerspiele und ihrem berühmtesten Schmuck". In Koberg, Roland; Stegemann, Bernd; Thomsen, Henrike (eds.). Blätter des Deutschen Theaters. Berlin: Max Reinhard, Das Deutsche Theater.
• Bischoff, Ulrich (2000). Edvard Munch: 1863–1944. Taschen. ISBN 3-8228-5971-0. Archived from the original on 24 October 2021. Retrieved 28 December 2019.
• Chipp, Herschel B. (1968). Theories of Modern Art: A Source Book by Artists and Critics. Berkeley, CA: University of California Press. p. 114. ISBN 0-520-05256-0.
• Eggum, Arne (1984). Munch, Edvard (ed.). Edvard Munch: Paintings, Sketches, and Studies. New York, NY: C.N. Potter. p. 305. ISBN 0-517-55617-0. Archived from the original on 4 June 2021. Retrieved 20 August 2019.
• Faerna, José María (1995). Munch. New York, NY: Harry N. Abrams. p. 16. ISBN 0-8109-4694-7.
• Gerner, Cornelia (1993). Die "Madonna" in Edvard Munchs Werk – Frauenbilder und Frauenbild im ausgehenden 19. Jahrhundert. Knut Brynhildsvoll, Literaturverlag Norden Mark Reinhard, Morsbach. ISBN 978-3-927153-40-0.
• Gibbs, Walter (10 March 2005). "Arts, Briefly; Munch Theft Confessions". The New York Times. https://www.nytimes.com/2005/03/10/arts/arts-briefly-munch-theft-confessions.html.
• Jones, Jonathan (12 November 2013). "Why Francis Bacon Deserves to Beat The Scream's record-breaking Pricetag". the Guardian. https://www.theguardian.com/artanddesign/2013/nov/12/francis-bacon-triptych-lucian-freud-auction.
• MacDonald, Margaret F., ed. (2003). Whistler's Mother: An American Icon. Burlington, VT: Lund Humphries. ISBN 0-85331-856-5.
• Morehead, Allison (2019). "Hands, Dissection, and Embodied Seeing: Strindberg and Munch". In Schroeder, Jonathan; Westerstahl Stenport, Anna; Szalczer, Eszter (eds.). August Strindberg and Visual Culture: The Emergence of Optical Modernity in Image, Text and Theatre. Bloomsbury. doi:10.5040/9781501338038.ch-002. ISBN 978-1-5013-3800-7. S2CID 192530363.
• Munch, Edvard (2005). Holland, J. Gill (ed.). The Private Journals of Edvard Munch: We Are Flames Which Pour Out of the Earth. Madison, WI: University of Wisconsin Press. ISBN 0-299-19814-6.
• O'Neill, Amanda (1996). The Life and Works of Munch. Bristol: Parragon Book Service. ISBN 0-7525-1690-6.
• Prideaux, Sue (2005). Edvard Munch: Behind the Scream. New Haven, CT: Yale University Press. ISBN 978-0-300-12401-9.
• Thiis, Jens (1933). Edvard Munch og hans samtid. Slekten, livet og kunsten, geniet. Oslo: Gyldendal. OCLC 637507959. Archived from the original on 1 August 2020. Retrieved 12 September 2019.
• Thompson, J. William; Sorvig, Kim (2008). Sustainable Landscape Construction: A Guide to Green Building Outdoors (2nd ed.). Washington, DC: Island Press. ISBN 978-1-59726-142-5.
• Thorpe, Vanessa (7 April 2019). "Edvard Munch 'reunited' with fiancée for British Museum show" (en-GB). The Observer. ISSN 0029-7712. https://www.theguardian.com/artanddesign/2019/apr/07/edvard-munch-portrait-fiance-british-museum.
• Vogel, Carol (17 September 2012). "Munch's 'Scream' to Hang for Six Months at MoMA". The New York Times. https://www.nytimes.com/2012/09/18/arts/design/munchs-scream-to-hang-for-six-months-at-moma.html.
• Wells, John (2008). Longman Pronunciation Dictionary (3rd ed.). Pearson Longman. ISBN 978-1-4058-8118-0.
• Wylie, H.W. (1980). "Edvard Munch". The American Imago; A Psychoanalytic Journal for the Arts and Sciences 37 (4): 413–443. PMID 7008567.

Further reading

• Black, Peter; Bruteig, Magne, eds. (2009). Edvard Munch: Prints. London: Philip Wilson. ISBN 978-0-85667-677-2. Catalogue of exhibition at the Hunterian Museum and Art Gallery, University of Glasgow and the National Gallery of Ireland, Dublin.
• Clarke, Jay (2014). "Munch on Paper". Print Quarterly 31: 237–243.
• Dolnick, Edward (2005). The Rescue Artist: A True Story of Art, Thieves, and the Hunt for a Missing Masterpiece. New York, NY: HarperCollins Publishers. ISBN 0-06-053118-5. Recounts the 1994 theft of The Scream from Norway's National Gallery in Oslo, and its eventual recovery
• Heller, Reinhold, ed. (1984). Munch: His Life and Work. London: Murray. ISBN 0-7195-4116-6.
• Kerr, Caroline V.. "Edvard Munch: Exhibition of His Work in Berlin Reveals Three Periods" (English). The New York Times: p. 173. 17 April 1927. https://timesmachine.nytimes.com/timesmachine/1927/04/17/106922152.html?pageNumber=173.
• Morehead, Allison (2014). "Lithographic and Biological Error in Edvard Munch's Women in the Hospital". Print Quarterly 31: 308–315.
• Schiefler, Gustav (1907). Verzeichnis des Graphischen Werks Edvard Munchs bis 1906 (in German). Berlin: B. Cassirer. OCLC 39789318.
• Schiefler, Gustav (1927). Das Graphische Werk von Edvard Munch: 1906–1926 (in German). Berlin: Euphorion Verlag. OCLC 638113186.
• Woll, Gerd (2009). Edvard Munch: Complete Paintings: Catalogue Raisonné. 4. London: Thames & Hudson. ISBN 978-0-500-09345-0.

External links

• Tɛmplet:MoMA artist
• Oslo goes high on Old Munch
• Munch at Olga's Gallery Archived 31 Silimin gɔli August 2007 at the Wayback Machine—large online collection of Munch's works (over 200 paintings)
• Munch at artcyclopedia
• Edvard Munch at WikiGallery.org
• Exhibition "Edvard Munch L'oeil moderne"—Centre Pompidou, Paris 2011
• Edvard Munch at Norway's National Museum of Art, Architecture and Design Archived 25 Silimin gɔli March 2019 at the Wayback Machine

Tɛmplet:Edvard Munch Tɛmplet:Post-Impressionism Tɛmplet:Authority control (arts)