Berry Bickle ( bɛ dɔɣi o lavyuuni 1959) o nyɛla ŋun nyɛ Zimbabwean nucheeni tuun tumdi so ŋun be Maputo. Bɛ dɔɣi o la tiŋyuli booni Bulawayo, Bickle nyɛla ŋun chaŋ shikuru yuli booni Chisipite Senior School din be Harare la. Din nyaanga o daa lahi chaŋ shikuru yuli booni Durban Institute of Technology, ni ka o daa deegi shɛhira gbaŋ din jendi bɔhimbu yaɣili din nyɛ national diploma din jendi fine arts,[1] ka daa lahi chaŋ South Africa's Rhodes University, ni ka o daa lahi deegi shɛhira gbaŋ din nyɛ master's degree din jendi fine arts.[1][2] Bickle nyɛla ŋun daa be ban daa.laɣim kpa nucheeni tuma laɣingu din yuli daa booni Bulawayo's Visual Artists' Association la puuni.[3][4]

O tuma nima

mali niŋ
  • "Maputo Utopias" series.[5]
  • Suite Europa, 2010. The series was produced during a residency at the Rockefeller Foundation Bellagio Center.
  • Sleeping beauty, 2008
  • Cyrene
  • Inheritance lost library
  • Wandering
  • Sarungano
  • Pessoa bowls series

O Exhibition nima

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  • Zimbabwe/Tanzania: contemporary artists, Helsinki, 1993.
  • 5th Havana Biennalle, Cuba, 1994.
  • First Johannesburg Africus Biennale, 1995.
  • On the Road, Africa95, London, England, 1995.
  • MBCA-Decade of Award Winners, National Gallery, Harare, 1996.
  • Artists against landmines, Franco/Mozambique Cultural Centre, Maputo, 1999.
  • World Video Festival, Gates Foundation, Amsterdam, 1999.
  • Artistes contemporains du Zimbabwe, Pierre Gallery, Paris, 1999.
  • Women in African Art, Vienna, 1999.
  • 2001 El tiempo de Africa, Centro Atlantico de Arte Moderno, Gran Canaria "Siyaphambili-2000," National Gallery, Harare, 2001.
  • Art dans le Monde, Paris, 2001.
  • Africas: The Artist and the City: A Journey and an Exhibition, Barcelona, Spain, 2002.
  • Afrika Remix – Zeitgenössische Kunst eines Kontinents – Museum Kunst Palast, Düsseldorf, 2004.
  • Visions of Zimbabwe – Manchester Art Gallery, Manchester (England), 2004.
  • Africa Remix, Centre Pompidou, Paris, 2005.
  • Textures – Word & Symbol in Contemporary African Art – National Museum of African Art, Washington, DC, 2005.[6]
  • Africa Remix – Contemporary Art of a Continent – Hayward Gallery, London (England), 2005.
  • Body of Evidence (Selections from the Contemporary African Art Collection) – National Museum of African Art, Washington, DC, 2006.
  • Africa Remix – Contemporary Art of a Continent – Mori Art Museum, Tokyo, 2006.
  • 7ème Biennale de l'Art Africain contemporain – Dak'Art Biennale de l'art africain contemporain, exhibition curated by N'Goné Fall in the frame of the individual exhibitions, Dakar, 2006.
  • Annual MUSART – Museu Nacional de Artes (MUSART), Maputo, 2007.
  • Exit11, Limited edition Part 1 – Exit11, Grand-Leez, 2007.
  • Africa Remix – Contemporary art of a continent – Johannesburg Art Gallery (JAG), Johannesburg, 2007.
  • L'oeil-Écran Ou La Nouvelle Image – Casino Luxembourg – Forum d'art contemporain, Luxembourg, 2007.
  • Exit11, Exhibition 02 – Collective exhibition – Exit11, Grand-Leez, 2007.
  • Videozone 4 – Videozone – International Video-Art Biennial, Tel Aviv, 2008.
  • Ifa-Galerie Berlin, Berlin, 2008.[5]
  • Chance encounters – Sakshi Gallery, Mumbai, 2008.
  • Animais: Caracterização e Representação – Museu Nacional de Artes (MUSART), Maputo, 2008.
  • Chance Encounters – Seven Contemporary Artists from Africa – Centre for Contemporary Art, Lagos (CCA, Lagos), Lagos, 2009.
  • Maputo: A Tale of One City – Oslo Kunstforening, Oslo, 2009.
  • Biennale di Venezia – 54th International Art Exhibition, Pavilion of Zimbabwe, exhibition Seeing Ourselves curated by Raphael Chikukwa, Venice, 2011.[7]
  • The Divine Comedy. Heaven, Purgatory and Hell Revisited by Contemporary African Artists, 2014 Museum für Moderne Kunst (MMK), Frankfurt am Main.[8]

Maan lihi pahi

mali niŋ

Kundivihira

mali niŋ
  1. 1.0 1.1 Staff (2009). " ARTISTS " Berry Bickle. Kulungwana. Retrieved 19 May 2012.
  2. Staff (2012). Berry Bickle b. Zimbabwe, 1959. Textures – Word and symbol in contemporary African art. National Museum of African Art/Smithsonian Institution. Retrieved 19 May 2012.
  3. Magee, Carol (2000-02-21). Bickle, Berry. Oxford Art Online. Oxford University Press. doi:10.1093/gao/9781884446054.article.t096497.
  4. Berry Bickle, Re-Writes in Inscribing Meaning: Writing and Graphic Systems in African Art, curated by Chistine Mullen Kreamer, Mary Nooter Roberts, Elizabeth Harney, Allyson Purpura, Smithsonian National Museum of African Art, 2007, p. 227-229; in particular the text refers to the works Wandering, Sarungano, Pessoa bowls series.
  5. 5.0 5.1 [Melancholia from the series "Maputo Utopias", 2007 on IFA gallery website IFA: Berry Bickle. Archived from the original on 3 April 2011. Retrieved 2011-06-15.].
  6. WICKOUSKI, Sheila (February 24, 2005). "Ruscha-What's in a word? - Two exhibits, one at the National Gallery of Art and one at the National Museum of African Art, center around the written word.". Free Lance-Star.
  7. Meldrum, Andrew (June 3, 2011). "Zimbabwean artists featured at Venice Biennale - Zimbabwean paintings, videos, sculpture and photos displayed in Venice festival.". Global Post.
  8. Error on call to Şablon:cite web: Parameters archiveurl and archivedate must be both specified or both omittedDivine Comedy. Kerber Verlag.

O Bibliography nima

mali niŋ
  • Gaël Teicher, Berry Bickle: plasticienne, Editions de l'Oeil, Paris, 2008.
  • "A carta de Gaspar Vezoso I : TZR studies a painting by Berry Bickle", Zimbabwean Review 3 (2), April–June 1997: 1–2.
  • A. J. Chennells, "Empire's offspring" in Gallery: the art magazine from Gallery Delta (7 March 1996): 3–6
  • Peter S. Garlake, "Memory, mischief and magic in the country of my heart" in Gallery: the art magazine from Gallery Delta (17 September 1998): 22–25.
  • Helen Lieros, "Earthãwaterãfire, recent works by Berry Bickle" in Gallery: the art magazine from Gallery Delta (11 March 1997): 20–21.
  • Pierre-Laurent Sanner, "Berry Bickle" in Revue Noire 28 (March–April–May), 1998: 224–227.
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