Barbara Chase-Riboud

Barbara Chase-Riboud (bɛ daa dɔɣi o la Silimiin goli June biɛɣ'pishi ni ayɔbu dali yuuni 1939) nyɛla Americanima nucheeni baŋda, ŋun mɛri yaɣiri, lahabali sabira, ka lahi sabiri yɛltɔɣ'taɣimalisi.

Barbara Chase-Riboud
Tuma

Piligu biɛhigu mini shikuru baŋsim

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Barbara Chase nyɛla bɛ ni daa dɔɣi so Philadelphia, Pennsylvania, ŋun nyɛ o ba Vivian May Chase mini o ma Charles Edward Chase kɔŋko bia.[1] Chase nyɛla ŋun daa wuhiri baŋsim o bilim ni zaŋ jandi nucheeni baŋsim tuma saha shɛli o ni daa chani Fleisher Art Memorial shikuru, o yuma anii saha. O nyɛla ninvuɣ bɛ ni daa na kari so shikuru ni din daa niŋ ka o "plagiarizing" o yɛltɔɣitaɣimalisi "Autumn Leaves".[2][3] O nyɛla ŋun chaŋ Philadelphia High School for Girls bin din gbaai yuuni 1948 zaŋ hali ni yuuni 1952 ka daa naai ni summa cum laude. O naabu dali, o sabbu "Of Understanding" nyɛla bɛ ni daa karim shɛli.[2] O daa tuɣi o bɔhimbu Philadelphia Museum School of Art.[3]

Yuuni 1956, Chase nyɛla ŋun daa nya Bachelor of Fine Arts shikuru yuli booni Tyler School ka di be Temple University.[4] Lala yuuni maa, Chase nyɛla ŋun daa di John Hay Whitney fellowship n-daa ti bɔhim American Academy in Rome chiri pinaayi.[4][5]

Do'kundi mini daŋ

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Paris, Chase nyɛla ŋun daa nya Marc Riboud, anfooninima yaara ŋun daa be Magnum laɣingu ni. Bɛ daa niŋ amiliya yuuni 1961 Christmas Day asori duu ni.[6] Bɛ nyɛla ban mali bihi ayi ban nyɛ dabba, David Charles Riboud (b. 1964) mini Alexis Karol Riboud (b. 1967),[7] ka nyɛ ban chaŋ gili Russia, India, Greece n-ti pahi North Africa.[5]

Yuma nyaaŋa bɛ daa luhi ka wurim. Yuuni 1981, Chase-Riboud nyɛla ŋun daa labi kuli o yidana ŋun pahiri ayi, Sergio Tosi, nucheeni tuma baŋda.[8]

Legacy and honors

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Selected works

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Sculptures

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  • Last Supper (1958)[2]
  • Bullfighter (1958)[2]
  • Malcolm X (1970)
  • Why Did We Leave Zanibar (1971)[22]
  • Confession for Myself (1973)
  • Cleopatra's Cape (1973)
  • Africa Rising (1998)
  • Mao's Organ (2008)
  • Sally Hemings: A Novel (1979). ISBN 978-0-312-24704-1/reprinted in paperback, 2009
  • Valide: A Novel of the Harem (1986). ISBN 978-0-688-04334-6
  • Echo of Lions (1989). ISBN 978-0-688-06407-5
  • The President's Daughter (1994). ISBN 978-0-345-38970-1/reprinted in paperback, 2009
  • Hottentot Venus: A Novel (2003). ISBN 978-0-385-50856-8
  • The Great Mrs. Elias: A Novel (2022). ISBN 978-0-063-01990-4[23]

Kundivihira

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  1. Smith, Jessie C. (1991). "Barbara Chase Riboud", in Notable Black American Women, p. 177 (Gale Cengage).
  2. 2.0 2.1 2.2 2.3 Barbara Chase-Riboud; John Vick (February 10, 2015). Everytime a Knot is Undone, a God is Released: Collected and New Poems 1974–2011. Seven Stories Press. pp. 262–. ISBN 978-1-60980-595-1.
  3. 3.0 3.1 Chase-Riboud, Barbara (2013). The Malcolm X Steles. Philadelphia Museum of Art. p. 109. ISBN 978-0-87633-246-7.
  4. 4.0 4.1 "Barbara Chase-Riboud: Awards and Degrees", Michael Rosenfeldt Art. Retrieved July 28, 2018.
  5. 5.0 5.1 Smith (1991), "Barbara Chase Riboud," in Notable Black American Women, p. 178.
  6. Basualdo, Carlos; Art., Philadelphia Museum of; Archive., University Art Museum and Pacific Film (January 1, 2013). Barbara Chase-Riboud: The Malcolm X Steles. Philadelphia Museum of Art. ISBN 9780300196405. OCLC 877816644.
  7. page, yolanda williams (2007). Encyclopedia of African American and Women Writers. Greenwood Publishing Group. ISBN 978-0313334290.
  8. Barbara Chase-Riboud. Voices from the Gap: Women Artists and Writers of Color. The University of Minnesota.
  9. Barbara Chase-Riboud. African American Literature Book Club. AALBC.com, LLC.
  10. Imagining Sally Hemings. Frontline. WGBH educational foundation.
  11. 11.0 11.1 Chase-Riboud (2013). The Malcolm X Steles. p. 116.
  12. Chase-Riboud (2013). The Malcolm X Steles. p. 117.
  13. "People", International Herald Tribune, March 23, 1996.
  14. "African Burial Ground Commissioned Artwork", General Services Administration
  15. Weeks, Linton (October 2, 2004). "Red-Letter Day For Black Authors: Hurston/Wright Awards Honor 9". Washington Post. https://www.washingtonpost.com/wp-dyn/articles/A1950-2004Oct1.html.
  16. Awards for Women in the Arts 2007. College Art Association Committee on Women in the Arts and the Women's Caucus for Art.
  17. Alain Locke Awards: Conversation with Barbara Chase-Riboud.[permanent dead link]
  18. 2020 - Anonymous Was A Woman.
  19. BARBARA CHASE-RIBOUD LAUREATE OF PRIX D'HONNEUR 2021.
  20. Barbara Chase-Riboud, lauréate du Grand Prix artistique de la Fondation Simone et Cino del Duca 2021. Academy Des Beaux-Arts (May 17, 2021).
  21. La promotion du 1er janvier de la Légion d'honneur distingue.
  22. (2009) "Retrospective: Reflections on Barbara Chase-Riboud". Callaloo 32: 879–881. DOI:10.1353/cal.0.0488.
  23. The Great Mrs. Elias, A Novel By Barbara Chase-Riboud. HarperCollins Publishers.

Further reading

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  • Darlene Clark Hine, Elsa Barkley Brown, and Rosalyn Terborg-Penn (eds), "Barbara Chase-Riboud", Black Women in America: An Historical Encyclopedia. Bloomington and Indianapolis: Indiana University Press, 1993.
  • Basulado, Carlos and BCR. Barbara Chase-Riboud: The Malcolm X Steles Catalogue, 2013 (Philadelphia Museum of Art & Yale University Press). ISBN 978-0-87633-246-7 PMA, & ISBN 978-0-300-19640-5 Yale
  • Dawson, Emma Waters. "Witnesses and Practitioners: Attitudes toward Miscegenation in Barbara Chase-Riboud's Sally Hemings." In Dolan Hubbard (ed.), Recovered Writers/Recovered Texts. Knoxville, TN: University of Tennessee Press, 1997, 1–14.
  • Farrington, Lisa E. Creating Their Own Image: The History of African-American Women Artists. 2004 (Oxford University Press)
  • Heller, Nancy. Women Artists: An Illustrated History, 1987 (Cross River Press)
  • Janson, H. W., History of Art, 1995 (Harry N. Abrams, Inc.)
  • Lewis, Samella. ART: African American, 1990 (Hancraft Press)
  • McKee, Sarah. "Barbara Chase-Riboud (1939– )". Contemporary African American Novelists: A Bio-Bibliographical Critical Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood, 1999. 82–87.
  • Rushdy, Ashraf H. A. "Representing the Constitution: Embodiments of America in Barbara Chase-Riboud's Echo of Lions." Critique: Studies in Contemporary Fiction 36.4 (1995 Summer): 258–80.
  • Rushdy, Ashraf H. A. Tɛmplet:"'I Write in Tongues': The Supplement of Voice in Barbara Chase-Riboud's Sally Hemings", Contemporary Literature 35.1 (Spring 1994): 100–35.
  • Russell, John. "Review of Sally Hemmings". The New York Times, September 5, 1979.
  • (1987) "La 'Barque secréte' d'un demi-dieu: Thomas Jefferson dans La Virginienne". Mythes, Croyances et Religions dans le Monde Anglo-Saxon 5: 163–86.
  • Selz, Peter; Janson, Anthony F. (1999). Barbara Chase-Riboud, sculptor. New York: Harry N. Abrams. pp. 17–28. ISBN 0810941074. OCLC 40820940. ISBN 978-0-8109-4107-6
  • Simmons, Charitey. "Thomas Jefferson: Intimate History, Public Debate". Chicago Tribune, July 3, 1979.
  • Smith, Carney. Notable Black American Women, 1991 (Gale Cengage). ISBN 978-0-8103-4749-6
  • Barbara Chase-Riboud, Callaloo. 2009 (Johns Hopkins University Press). ISSN 0161-2492
  • Trescott, Jacqueline. "The Hemmings Affair: The Black Novelist and Jefferson's Mistress". Washington Post, June 15, 1979.
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