Augusta Savage
Augusta Savage (bɛ ni dɔɣɔ shɛm n nyɛ Augusta Christine Fells; bɛ dɔɣi o la silimiingoli February bɛɣu pishi ni awei dali , yuuni 1892 ka o kani silimiingoli March bɛɣu pishi ni ayɔpoin dali , yuuni 1962 puuni ) o nyɛla ŋun tumdi nucheeni tuma din yuli booni sculptor la, ka o nyɛ ŋun chaŋ nti kpini ban nyɛ Harlem Renaissance nim la.[1] O daa lahi nyɛla chicha. O nyɛla ŋun daa zabiri gbansabila ban nyɛ gbanpiɛla la zuɣu o nucheeni tuma maani .[2]
O pilli taarihi
mali niŋAugusta Christine Fells nyɛla bɛ ni dɔɣi so miri was born near Jacksonville, Florida, silimiingoli February bɛɣu pishi ni ayɔbu dali, yuuni 1892, ka o laambi nyɛ Edward Fells mini Cornelia Murphy.[3].[4]
O tuma nima
mali niŋ- Portrait busts of W.E.B. DuBois and Marcus Garvey
- Gamin
- The Tom Tom
- The Abstract Madonna
- "The Diving Boy" currently on display at Cummer Museum Jacksonville, FL
- Envy
- A Woman of Martinique
- Lift Every Voice and Sing (also known as The Harp)[5]
- Sculptural interpretation of Negro Music[6]
- Gwendolyn Knight, 1934–35[7]
Individual exhibitions
mali niŋ- Grande Chaumière, Paris, 1929
- Salon d'Automne, Paris, 1930
- Argent Galleries, New York and Art Anderson Gallery, New York, 1932
- Argent Galleries, New York and New York World's Fair, 1939
- New York Public Library, 1988[8]
Selected group exhibitions
mali niŋ- Argent Galleries, New York, 1934
- Argent Galleries, New York, 1938
- American Negro Exposition, Tanner Art Galleries, Chicago, 1940
- Newark Museum, New Jersey, 1990
- Three Generations of African-American Women Sculptors, Afro-American Historical and Cultural Museum, Philadelphia, 1996[9]
- The Harlem Renaissance and Transatlantic Modernism, Metropolitan Museum of Art, New York, 2024[10]
Legacy
mali niŋ- Augusta Fells Savage Institute of Visual Arts in Baltimore is named after her.
- O nyɛla ŋun nyɛ namesake n ti Augusta Savage Gallery din be University of Massachusetts Amherst.
- Namesake din nyɛ Augusta Savage Friendship Park, Green Cove Springs FL
- Namesake of the Augusta Savage Arts and Cultural Center, Green Cove Springs FL
Karimbu nim yaha
mali niŋ- Farris, Phoebe, ed. (1999). Women Artists of Color : A bio-critical sourcebook to 20th century artists in the Americas. Greenwood Press. ISBN 0313303746, pp. 272, 339–344.
- (1988) "Augusta Savage and the art schools of Harlem". Schomburg Center for Research in Black Culture.
- Etinde-Crompton, Charlotte, Crompton, Samuel Willard (2019) Augusta Savage: Sculptor of the Harlem Renaissance. ISBN 9781978505360
- DailyArt Magazine: Augusta Savage: The Woman That Defined 20th Century Sculpture
Kundivihira
mali niŋ- ↑ Farrington, Lisa E. (2005). Creating Their Own Image: The History of African-American Women Artists. New York: Oxford University Press, Inc. pp. 100. ISBN 0-19-516721-X.
- ↑ Frederick, Candice (2016-01-14). Black Women Artists: Augusta Savage.
- ↑ Augusta Savage. By: Kalfatovic, Martin R., American National Biography (from Oxford University Press), 2010
- ↑ Jill Lepore, Joe Gould's Teeth (New York: Knopf, 2016)
- ↑ Lift Every Voice and Sing, (White metal cast with black patina).. Building on the Legacy: African American Art from the Permanent Collection. Muscarelle Museum of Art (2017–2018).[permanent dead link]
- ↑ Bontemps, pp. 141–142
- ↑ Collections – SAM – Seattle Art Museum (en-US).
- ↑ A chirim ya: Invalid
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- ↑ The Harlem Renaissance and Transatlantic Modernism - The Metropolitan Museum of Art.