Aaron Douglas (bɛ dɔɣi o la silimiingoli May bɛɣu pishi ni ayɔbu dali, yuuni 1899 ka o kani silimiingoli February dabaayi dali , yuuni 1979[1]) o nyɛla ŋun tumdi nucheeni tuma din nyɛ peentin ,ka lahi nyɛ illustrator, nti pahi nucheeni tuma dinjendi nina yuli polo chicha. O nyɛla yuli lani nti bɛ ni boli tuma du shɛli ni Harlem Renaissance la ni.[2] O nyɛla ŋun kpasi o nuuni tuma yaɣili din nyɛ murals peentin la ni nti pahi peentin hankali shɛŋa din sɔŋdi n kariti bee n boori ʒilɛlini bɛhi yɔya din chaŋ ti gbai silimiingi ni bɔli shɛli ni ( race nti pahi segregation ) ka di nyɛla silimiin tiŋ ka o niŋdi lala ŋɔ, ka lee zoogi ka o bɔri gbansabila bɛhi suŋ.[3][4]

O tuma nim din yi polo

mali niŋ
  • The February 1926 issue of The Crisis[5]
  • The May 1926 issue of The Crisis[5]
  • Mural at Club Ebony, 1927[4]
  • Illustrations for Paul Morand, Black Magic, 1929[6]
  • Harriet Tubman, mural at Bennett College, 1930[6]
  • Symbolic Negro History, murals at Fisk University, 1930[7]
  • Dance Magic, murals for the Sherman Hotel, Chicago, 1930–31[3]
  • Series of illustrations and later paintings initially created for James Weldon Johnson’s God’s Trombones: Seven Negro Sermons in Verse[8][9]
    • Let My People Go, circa 1935–39
    • The Judgment Day, created in 1939
  • Mural series commissioned in 1934 by the Works Progress Administration.[4] The series consists of four murals;
    • The Negro in an African Setting, depicts elements of African cultural dances and music to highlight the central heritage of African Americans.
    • Slavery through Reconstruction, depicts the contrast between the promise of emancipation and political shift in power post-Civil War and the disappointments of Reconstruction in the United States.
    • The Idyll of the Deep South, depicts the perseverance of African-American song and dance against the cruelty of lynching and other threats to African Americans in the United States.
    • Song of the Towers, depicts three events in United States history from an African-American lens, including the movement of African Americans towards the North in the 1910s, the rise of the Harlem Renaissance in the 1920s, and the Great Depression in the 1930s.
  • Four-part mural cycle (including Aspiration) at the Texas Centennial Exposition, 1936[10]
  • Illustrations included in selected editions of Countee Cullen's Caroling Dusk and Alain Locke's The New Negro.[6]

O tuma nim yi laɣilaɣim

mali niŋ

Kundivihira

mali niŋ
  1. Aaron Douglas: African American Modernist.
  2. Lewis, David Levering (2008). "Harlem Renaissance". Africana: The Encyclopedia of the African and African American Experience, Second Edition.
  3. 3.0 3.1 Hornsby, Alton (2011). Black America: A State-by-State Historical Encyclopedia. Greenwood. pp. 289, 291, 298, 812–813. ISBN 9780313341120. OCLC 767694486.
  4. 4.0 4.1 4.2 Myers, Aaron (2008). "Douglas, Aaron". Africana: The Encyclopedia of the African and African American Experience, Second Edition.
  5. 5.0 5.1 Kirschke, Amy (2004). "Douglas, Aaron". Encyclopedia of the Harlem Renaissance.
  6. 6.0 6.1 6.2 Earle, Susan (2007). Aaron Douglas: African American Modernist. New Haven: Yale University Press. ISBN 978-0300121803. OCLC 778017649.
  7. DeLombard, Jeannine (2014). "Aaron Douglas". American National Biography Online.
  8. 8.0 8.1 8.2 , 1927.Met Museum And National Gallery Of Art, Washington, Each Acquire Significant Work By Leading Harlem Renaissance Artist Aaron Douglas. National Gallery of Art (2015).
  9. James Weldon Johnson, 1871-1938, Aaron Douglas, Illustrated by, and C. B. Falls (Charles Buckles), 1874-1960, Illustrated by God's Trombones. Seven Negro Sermons in Verse..
  10. Woods, Marianne (October 23, 2014). "From Harlem to Texas: African American Art and the Murals of Aaron Douglas[permanent dead link]". US Studies Online. British Association for American Studies. Retrieved 2020-11-28.
  11. Spencer Museum of Art | Collection – The Founding of Chicago.
  12. Study for 'Aspects of Negro Life: From Slavery Through Reconstruction'. The Baltimore Museum of Art. artbma.org.
mali niŋ